The Peel Sessions
April 1 - May 1, 2021
Jim Lee
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Installation view, Jim Lee, The Peel Sessions, 2021
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Jim Lee
Untitled (FoggyBrut II), 2021
Oil and thread on denim
96 x 75 inches
jlee1010 -
Jim Lee
Untitled (Free Kitten), 2021
Oil on canvas with denim and staples
72 x 48 inches
jlee1007 -
Jim Lee
Untitled (JL Beam Dream), 2020-2021
Acrylic on canvas with linen, found objects, polyurethane foam and thread
80 x 48 inches
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Jim Lee
Untitled (La Tonsure), 2020
Oil and spray enamel on linen
69 x 48 inches
jlee1009 -
Jim Lee
Untitled (Something with Tuba), 2020
Acrylic, glue, collage, hair and graphite on canvas
78 1/2 x 55 1/4 inches
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Jim Lee
Untitled (Vertical Byrdie Shave), 2020
Acrylic, spray enamel, ink and organic materials on canvas with staples
72 x 48 inches
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Jim Lee
Gunsmoke (Just Like an Armchair), 2021
Acrylic, yarn, graphite and organic materials on canvas
72 x 48 inches
jlee1016 -
Jim Lee
Untitled (Standish Mills), 2021
Flashe paint on canvas with permanent marker, yarn, staples, denim and thread on canvas and polypropalene feedbag
72 x 48 inches
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Jim Lee
Untitled (Chemical Choices), 2021
Oil, graphite, collage and tape on paper with framed photograph
Overall: 144 x 62 inches
40 parts, each 18 x 12 inches
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Jim Lee
Detail, Untitled (Chemical Choices), 2021
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Jim Lee
Untitled (Truth|Senses), 2021
Oil on canvas with thread and wood
11 1/4 x 11 1/4 x 3 3/4 inches
Overall dimensions: 96 x 48 inches
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Jim Lee
Detail, Untitled (Truth|Senses), 2021
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Jim Lee
Voodoo Smile, 2021
Acrylic on masonite with thread and wire
12 1/2 x 9 x 6 inches
Overall dimensions: 86 1/2 x 48 inches
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Jim Lee
Detail, Voodoo Smile, 2021
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Jim Lee
Untitled (After Marcel), 2020-2021
Oil, graphite, and spray enamel on canvas with staples 51 x 38 inches
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Jim Lee
Untitled (Dead Aesthetic), 2021
Oil on linen and canvas with spray enamel, graphite organic material and wood
51 x 38 inches
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Jim Lee
Untitled (Beach at Goa), 2021
Spray enamel on canvas and linen with staples and wood
42 x 31 inches
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Jim Lee
FoggyBrut, 2021
Thread on canvas with glass, stickers, plastic bolts, luan with found frame
28 x 22 inches
jlee1021 -
Jim Lee
Untitled (First Victorian Child), 2020
Oil on canvas with organic material, staples and wood
18 x 20 inches
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Jim Lee
Untitled (Exercise One), 2021
Oil on naugahyde with canvas, denim, nylon webbing, thread and staples
96 1/2 x 56 inches
jlee1024 -
Jim Lee
Verso, Untitled (Exercise One), 2021
Oil on naugahyde with canvas, denim, nylon webbing, thread and staples
96 1/2 x 56 inches
jlee1024 -
Jim Lee
Sacred Attention (Field Recording), 2021
Plastic buckets, pigmented liquid, and organic materials with sound element
18 1/2 x 11 3/4 x 11 3/4 inches
Edition of 3, 1 AP
jlee1030 -
Jim Lee
Detail, Sacred Attention (Field Recording), 2021
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Jim Lee
Untitled (Soft Broken Column), 2021
Latex and Flashe paint on canvas with staples, wire, and wood
Dimensions variable
jlee1025
Press Release
Nicelle Beauchene Gallery is pleased to present The Peel Sessions, Jim Lee’s fifth solo exhibition with the gallery.
From 1967 to 2004, John Peel, the infamous BBC Radio 1 DJ, invited over 2,000 artists to record three or four songs in live sessions that were later broadcasted on air. These recordings were novel for their raw and organic sound, contrary to what was heard on standard studio mixed and mastered versions of the songs. Artists invited were chanced upon and risk taking, offered a mainstream platform when their output existed outside of the popular. “The Peel Sessions,” as the over 4,000 sessions became known, remain heralded for their sonic singularity and spirit.
Jim Lee, an apostle of Peel and the bands he championed, presents The Peel Sessions as a synthesis of recent work from the studio. On view is an arrangement of paintings that, much like Peel’s sessions, are rough cut and a little gritty, each a record of test-drives and experiments against modernist principles. Fluctuating between linear abstractions and plays on minimalism, Lee’s style challenges the priority traditionally placed on the pictorial surface alone, while toying with notions of painting as object and painting as experimentation. Exposing the framework that lies beneath a canvas, or cobbling materials in a patchwork of addition, Lee investigates and maintains a tenuous, yet playful, dialogue between completion and destruction throughout his practice.
Addressing the how or why he played what he played, John Peel explained in a 1971 Melody Maker interview that:
"One of the reasons we played Wild Man Fischer was because I didn’t know if it was good or bad; I didn’t even really know if I liked it or not, and if something has got me that confused then I want to play it on the radio, because it’s good to have something that messes your mind about. And I think the thing with Beefheart is that people don’t know if it’s good or bad, but it’s fashionable."
Jim Lee (b. 1970, Berrien Springs, MI) received his MFA from the University of Delaware in 1996. He has shown internationally at Galerie Vidal Cuglietta, Brussels; Motus Fort, Tokyo; FDC Satellite, Brussels and Galerie Markus Winter, Berlin. Additionally he has been included in exhibitions at the Lamar Dodd School of Art at University of Georgia, Athens, GA; the Center for the Arts Gallery, Towson, MD; Ratio 3, San Francisco; LAND, Los Angeles; Islip Art Museum, NY; Galerie Ruth Leuchter, Dusseldorf; Galerie Lelong, New York; Andrae Kaufmann Gallery, Berlin; IMOCA, Indianapolis; White Flag Projects, St. Louis; Atlanta Contemporary Art Center, Atlanta; Larry Becker Contemporary Art, Philadelphia and the Neuberger Museum of Art in Purchase, NY. Lee lives and works in Brooklyn, New York.