News

Alina Cohen reviews Luteal Elements and Grooves, at the Aldrich, ceramicist Jennie Jieun Lee's first institutional solo exhibition.

Matthew Logsdon reviews Kari Cholnoky's third solo exhibition, Leech, at Nicelle Beauchene Gallery.

Lori Waxman reviews Alice Tippit's Mischievous Erotics. The artist’s mixed messages suggest a deep skepticism about the ability of language to adequately express human experience.

Laura Regensdorf writes about ten artists and designers reflecting on the onscreen flora, from fantastical topiaries to scene-setting bouquets, that's inspired them.

Lauren Levato Coyne reviews Lee's first solo museum exhibition at the Aldrich, foregrounding material process, shared labor, and the architectures of exchange.

Artist Jennie Jieun Lee celebrated her first solo museum show titled Luteal Elements and Grooves at Connecticut’s Aldrich Contemporary with friends for an afternoon of community and crafts.

A series of firsts marks artist Saif Azzuz’s latest work, which serves as both a tribute to his Indigenous heritage and a stark reminder to preserve natural resources.

Anna Menin features Gee's Bend Quiltmkers Lillie Mae Pettway's Star, Loretta Pettway Bennett’s My Way, and Mattie Ross Monkey’s Wrench in Financial Times.

Margherita Artoni reviews Quentin James McCaffrey's exhibition The Gifts in Juliet Art Magazine.

Put on a Spread: In a concept restaurant in London, Jonathan Baldock’s ceramic sculptures set a playful and curious tone.