Fountainhead
February 8 - March 11, 2018
Andrea Joyce Heimer
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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Installation view of Fountainhead, 2018
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What if I was welcomed in this house and made a part of the work? I would not deny it, but what if I cannot adapt or get in. Then I stand, thick and lost, a little white statuette in a crowded room., 2017
Acrylic and pencil on panel 30 x 40 inches
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Installation view of What if I was welcomed in this house and made a part of the work? I would not deny it, but what if I cannot adapt or get in. Then I stand, thick and lost, a little white statuette in a crowded room., 2017
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I get so angry that I ruin everything, I can vomit into violence, I can separate things., 2017
Acrylic and pencil on panel 18 x 24 inches
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Because we didn't imprint a thing called genetic sexual attraction can occur. What if we want to sleep together? I feel like a lunatic with this worry., 2018
Acrylic and pencil on panel 24 x 30 inches
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My brothers and sisters and I will have the same framework if I can find them., 2017
Acrylic and pencil on panel 18 x 24 inches
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Maybe you will explain to me about my birthday, maybe other children were born that day and animals too. Sometimes I dream about the other children. In the dreams we are trying to help each other., 2018
Acrylic and pencil on panel 40 x 30 inches
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What if you can't be kept., 2017
Acrylic and pencil on panel 24 x 36 inches
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I do not know what these people are. You may be haughty, or God-fearing, or the future, or will become a thief. The different routes are strange and I am scared., 2017
Acrylic and pencil on panel 40 x 30 inches
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Maybe I'd just get rid of my clothes and leave it alone., 2017
Acrylic and pencil on panel 36 x 48 inches
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I am too tired to pull this way. What if one step is too far in the opposite direction, between the two places, and in which direction?, 2017
Acrylic and pencil on panel 24 x 36 inches
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Installation view of I am too tired to pull this way. What if one step is too far in the opposite direction, between the two places, and in which direction?, 2017
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If I did not find you will I always live in a world of ghosts?, 2018
Acrylic and pencil on panel 30 x 40 inches
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Maybe everything will be fine, and we'll have a group. Perhaps everything is good, we have a party., 2018
Acrylic and pencil on panel 24 x 30 inches
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Perhaps I forgot I had to leave, deep under the floor., 2017
Acrylic and pencil on panel 18 x 24 inches
Press Release
Nicelle Beauchene Gallery is pleased to announce Fountainhead, its first full-scale solo exhibition with Andrea Joyce Heimer. This new body of work continues Heimer’s formal exploration of densely populated compositions inhabited by figures inspired by Ancient Greek Black- and Red-Figure vases and medieval bestiaries. While Heimer’s paintings have previously portrayed actual memories and stories from her childhood, this group of works imagines a series of hypothetical narratives staged in the future which address her conflicted decision about finding her biological parents.
When a 2015 bill passed in Montana allowed adoptees new access to their original birth certificates, Heimer was faced with the choice to uncover the names of her birth parents or to leave them sealed. Each painting in this series imagines a different scenario should she choose to request this information, yielding a wide spectrum of emotions — rejection, anger, acceptance, isolation, guilt, relief, recognition, or embarrassment. Heimer illustrates her own expectations and anxieties through the layered formal complexities of her paintings and their diaristic titles.
In this series, Heimer’s titles mimic an oral tradition of storytelling and the ways in which narratives change as they are passed from person to person. Heimer’s typically eloquent titles become purposefully jumbled as she translates them into a series of other languages and then back to English. Through transforming and displacing her titles in this way, Heimer uses this body of work to explore what it might mean to give up a measure of control and authorship over her own life story.
Andrea Joyce Heimer (b. 1981, Great Falls, Montana) lives and works in Ferndale, WA. She received an MFA from the New Hampshire Institute of Art. Her work has been included in solo exhibitions at Hometown, New York; Antonio Colombo Gallery, Milan, Italy; and CG2 Gallery, Nashville, among others. Heimer has shown in group exhibitions at the 2017 Istanbul Biennial, Istanbul, Turkey; Pinakothek der Moderne, Munich, Germany; Franklin Parrasch Gallery, New York; John Michael Kohler Arts Center, Sheboygan; Castlefield Gallery, Manchester, UK; Andrew Edlin Gallery, New York, Cornish College of the Arts, Seattle; and Kunsthal Charlottenborg, Copenhagen, among others. She has been awarded the 5790 Award as well as residencies at idrawalot Collective in Berlin and the Cornish College of the Arts in Seattle.