February 8 - March 11, 2018

Andrea Joyce Heimer

Press Release

Nicelle Beauchene Gallery is pleased to announce Fountainhead, its first full-scale solo exhibition with Andrea Joyce Heimer. This new body of work continues Heimer’s formal exploration of densely populated compositions inhabited by figures inspired by Ancient Greek Black- and Red-Figure vases and medieval bestiaries. While Heimer’s paintings have previously portrayed actual memories and stories from her childhood, this group of works imagines a series of hypothetical narratives staged in the future which address her conflicted decision about finding her biological parents.

When a 2015 bill passed in Montana allowed adoptees new access to their original birth certificates, Heimer was faced with the choice to uncover the names of her birth parents or to leave them sealed. Each painting in this series imagines a different scenario should she choose to request this information, yielding a wide spectrum of emotions — rejection, anger, acceptance, isolation, guilt, relief, recognition, or embarrassment. Heimer illustrates her own expectations and anxieties through the layered formal complexities of her paintings and their diaristic titles.

In this series, Heimer’s titles mimic an oral tradition of storytelling and the ways in which narratives change as they are passed from person to person. Heimer’s typically eloquent titles become purposefully jumbled as she translates them into a series of other languages and then back to English. Through transforming and displacing her titles in this way, Heimer uses this body of work to explore what it might mean to give up a measure of control and authorship over her own life story.

Andrea Joyce Heimer (b. 1981, Great Falls, Montana) lives and works in Ferndale, WA. She received an MFA from the New Hampshire Institute of Art. Her work has been included in solo exhibitions at Hometown, New York; Antonio Colombo Gallery, Milan, Italy; and CG2 Gallery, Nashville, among others. Heimer has shown in group exhibitions at the 2017 Istanbul Biennial, Istanbul, Turkey; Pinakothek der Moderne, Munich, Germany; Franklin Parrasch Gallery, New York; John Michael Kohler Arts Center, Sheboygan; Castlefield Gallery, Manchester, UK; Andrew Edlin Gallery, New York, Cornish College of the Arts, Seattle; and Kunsthal Charlottenborg, Copenhagen, among others. She has been awarded the 5790 Award as well as residencies at idrawalot Collective in Berlin and the Cornish College of the Arts in Seattle.