Arms to pray with
September 6 - October 6, 2019
Elliott Jerome Brown Jr.
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Installation view, Elliott Jerome Brown Jr., Arms to pray with, 2019
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Installation view, Elliott Jerome Brown Jr., Arms to pray with, 2019
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Installation view, Elliott Jerome Brown Jr., Arms to pray with, 2019
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Installation view, Elliott Jerome Brown Jr., Arms to pray with, 2019
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Installation view, Elliott Jerome Brown Jr., Arms to pray with, 2019
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Installation view, Elliott Jerome Brown Jr., Arms to pray with, 2019
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Elliott Jerome Brown Jr.
A well commanded army tucked at the corners of his lips, 2019
Archival inkjet print
51 x 34 inches
Edition of 5, 2 AP
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Elliott Jerome Brown Jr.
Sweeping the bricks to the edge of a door too heavy to hold its own., 2019
Archival inkjet print
51 x 34 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
An underline through dried cement, 2016
Archival inkjet print
36 x 24 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Syllables of joy and devastation (1), 2018
Archival inkjet print
45 x 30 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Syllables of joy and devastation (2), 2018
Archival inkjet print
45 x 30 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Fat holds itself up for once. Thoughts hold themselves up for once., 2019
Archival inkjet print
36 x 24 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Oftentimes, justice for black people takes the form of forgiveness, allowing them space to reclaim their bodies from wrongs made against them., 2018
Archival inkjet print
36 x 24 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Keep that one metaphorical, 2018
Archival inkjet print
30 x 20 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
The tire grits its teeth along the gravel and brakes to silence - a pause for effect. / Have you ever siphoned rupture through a narrow opening? / (Do you know the control it takes to slingshot a sound?, 2018
Archival inkjet print
51 x 34 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Inherent distance, 2018
Archival inkjet print
15 x 10 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Wilting, 2018
Archival inkjet print
15 x 10 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
The sun appears to rise at the wrong time, kneading black into blue. Sometimes I mistake car lights passing through my window for an attack, for something with the capacity to tear a break in the glass., 2018
Archival inkjet print
15 x 12 inches
Edition of 5, 2 APs
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Elliott Jeome Brown Jr.
Like a relentless fan, she would sing along, hair flounced and nails sunk deeper into her armrests whenever a note turned unanticipatedly left, then right, then upside down. In any direction, she took delight in her best effort to keep up., 2019
Archival inkjet print
30 x 30 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
To keep your company, 2019
Archival inkjet print
31 x 30 inches
Edition of 5, 2 APs
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Elliott Jerome Brown Jr.
Prune and grout, 2019
Archival inkjet print
30 x 30 inches
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Press Release
Nicelle Beauchene Gallery is pleased to present a solo exhibition of recent photographs by Elliott Jerome Brown Jr. titled Arms to pray with. In his debut exhibition with the gallery, Brown uses photography to visualize and articulate intimacy, communion, mourning, and joy.
Brown’s portraits are rarely straightforward, most often figures appear with their backs to the camera or their faces are partially obscured. Many of the pictures are set in the domestic sphere—Brown’s subjects are found, seemingly unposed, in living rooms, backyards, bedrooms, and kitchens. This allows the artist to avoid the spectacle of photography while privileging the interior lives of his subjects instead. In Inherent Distance, 2018, two figures appear on opposite sides of the picture, both partially hidden from full view, while a bolted door becomes the image’s central character. This obfuscation is a primary tool used throughout Brown’s work, allowing his subjects to create their own space within the frame, rather than being presented clearly to the viewer.
In A well commanded army tucked at the corners of his lips, 2019, a closely cropped figure appears partially submerged in a kiddie pool. Two hands appear at the base of the composition, one curled into a fist and the other extended, while a gold necklace and earring appear at the top of the frame. The ambiguity found in this photograph, and in Brown’s other images, exemplifies the tensions found between openness and self-possession with resistance and imposed identity.
In Arms to pray with, Brown explores the possibilities of photography to create a multiplicity of narratives. His photographs become an act of witnessing or receiving testimony, while continuously making space for serendipitous discovery.
Elliott Jerome Brown Jr. (b. 1993) has been featured in exhibitions domestically and internationally. Brown Jr. was a participant in the New York Times Portfolio Review (2016) and the Skowhegan School of Painting and Sculpture (2017). He received his BFA in Photography from the Tisch School of the Arts, New York University. He recently spent the past year participating as an Artist-in-Residence at St. Roch Community Church in New Orleans, Louisiana.