In Every Dream Home
August 30 - October 5, 2024
Jim Lee
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Installation view, Jim Lee, In Every Dream Home, 2024
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Jim Lee
Untitled (Phantom Smell 7 - Bear Perspective), 2024
Acrylic and oil paint on woven protective fabric with bear hair
26 x 18 inches -
Jim Lee
Untitled (Phantom Smell No. 29 - Immortal, Life Size), 2024
Oil enamel on wool and leather with yarn
84 x 55 inches -
Jim Lee
Untitled (Phantom Smell No. 21), 2024
Oil paint on linen with staples
18 x 12 1/2 inches -
Jim Lee
Untitled (Phantom Smell No. 19 - Horizontal Standard), 2024
Acrylic, PVA emulsion and spray enamel on wood, linen and metal
12 x 29 1/2 x 7 1/2 inches -
Jim Lee
Untitled (Phantom Smell - Standard Six), 2024
Digital color video (sound) with speakers, wire and found objects
Dimensions variable -
Jim Lee
Untitled (Phantom Smell No. 4), 2024
Oil paint on canvas with found objects
39 x 13 1/2 x 13 3/4 inches -
Jim Lee
Untitled (Phantom Smell No. 5), 2024
Oil paint on linen with light reducing fabric
18 x 12 inches -
Jim Lee
Untitled (Phantom Smell No. 18 - On the Fourth), 2024
Acrylic and hydrated ferric oxide on canvas with polyurethane foam and staples
40 x 30 inches -
Jim Lee
Untitled (Phantom Smell No. 8), 2024
Acrylic and graphite on canvas with staples and tape
41 x 30 inches -
Jim Lee
Untitled (Perfect Companion No. 3), 2024
Acrylic and hydrated ferric oxide on canvas with linen and staples
40 x 30 inches -
Jim Lee
Untitled (Perfect Companion No. 2), 2024
Acrylic and hydrated ferric oxide on canvas with thread and staples
40 x 30 inches -
Jim Lee
Untitled (Perfect Companion No. 2), 2024
Acrylic and hydrated ferric oxide on canvas with thread and staples
40 x 30 inches -
Jim Lee
Untitled (Perfect Companion No. 1), 2024
Oil paint, acrylic and hydrated ferric oxide on canvas with staples
40 x 30 inches -
Jim Lee
Untitled (Phantom Smell No. 1- Caution Insert), 2023
Oil enamel on linen and wood with staples
24 x 17 1/2 inches -
Jim Lee
Untitled (Phantom Smell No. 3 - Peep Set), 2023
Acrylic, graphite and hydrated ferric oxide on canvas with spray enamel on plywood with staples
17 x 22 3/4 inches -
Jim Lee
Untitled (Phantom Smell No. 15), 2024
Oil paint, enamel and hydrated ferric oxide on canvas with staples
26 x 18 inches -
Jim Lee
Untitled (Phantom Smell No. 16), 2024
Oil and graphite on canvas and hobby plywood with staples
Dimensions variable; each panel 11 x 9 inches -
Jim Lee
Untitled (Phantom Smell No. 14), 2024
Latex paint on canvas with fabric and graphite
26 x 18 inches -
Jim Lee
Untitled (Phantom Smell No. 12 - till Death Sighs), 2024
Oil paint on linen and canvas with graphite
40 x 30 inches -
Jim Lee
Untitled (Phantom Smell No. 6), 2024
Flashe paint on metallic fabric and canvas with staples
24 3/4 x 14 1/2 inches -
Jim Lee
Untitled (Phantom Smell No. 30 - Disposable Darling), 2024
Spray enamel on wool and leather with vintage fly fishing line
78 1/2 x 51 1/2 inches
Press Release
Opening reception Thursday, September 5, 6–8pm
Nicelle Beauchene Gallery is pleased to present In Every Dream Home, Jim Lee’s sixth solo exhibition with the gallery.
In Every Dream Home draws its title referentially from the 1973 song written by Bryan Ferry (of Roxy Music fame)—a psychedelic love song to an inflatable doll. Throughout Lee’s body of work homage and humor are predicated by the alchemic process of mixing high and low brow influences—a core tenet of the artist’s practice. Lee challenges the traditional framework of painting by employing his canvases as subjects of investigation that record an ongoing exchange between the refined and common, even crude, elements incorporated.
With a signature mélange of paints applied atop canvases—some seamed, stapled, or entirely unstretched—the methods Lee utilizes suggest the immediate and spontaneous nature of his process. Oscillating between the construction and sabotage of his own work, Lee challenges notions of painting as object and painting as experimentation. A promiscuous reverence for found and foraged materials gives Lee’s work a recognizable playfulness resolved against any sanctity that might be associated with the lineage of artists that have come before him. Yet a confluence of motifs borrowed from several post-war abstract movements demonstrates an admiration, and sometimes irreverence, for the lexicon of art history. Alongside painting and sculpture, In Every Dream Home debuts a video work of anonymous models wearing heels in a 1974 Shasta camper. Constructed from Lee’s own shoes and used wooden stretcher bars, the six-inch heels nod to Lee’s fascination with the deconstruction of traditional parameters of painting and mechanisms of support revealed throughout his practice.
Lee toys with materiality and space, physicality and texture, color and form that reads as part painting, part sculpture. His work gives a viewer the opportunity to engage with painting from all angles and perspectives—asking what can be communicated with minimal visual information without giving a definitive answer in return.
Jim Lee (b. 1970, Berrien Springs, MI) received his MFA from the University of Delaware in 1996. He has shown internationally at Galerie Xippas, Paris; Galerie Vidal Cuglietta, Brussels; Motus Fort, Tokyo; FDC Satellite, Brussels and Galerie Markus Winter, Berlin. Additionally he has been included in exhibitions at the Lamar Dodd School of Art at University of Georgia, Athens, GA; the Center for the Arts Gallery, Towson, MD; Ratio 3, San Francisco; LAND, Los Angeles; Islip Art Museum, NY; Galerie Ruth Leuchter, Dusseldorf; Galerie Lelong, New York; Andrae Kaufmann Gallery, Berlin; IMOCA, Indianapolis; White Flag Projects, St. Louis; Atlanta Contemporary Art Center, Atlanta; Larry Becker Contemporary Art, Philadelphia and the Neuberger Museum of Art in Purchase, NY. Lee lives and works in Brooklyn, New York.