Jim Lee and The Cream Tones
February 13 - March 15, 2015
Jim Lee
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Installation view, Jim Lee and the Cream Tones, 2015
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Installation view, Jim Lee and the Cream Tones, 2015
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Installation view, Jim Lee and the Cream Tones, 2015
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Installation view, Jim Lee and the Cream Tones, 2015
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Installation view, Jim Lee and the Cream Tones, 2015
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Untitled (Cream Tone #14), 2015
Oil, acrylic and flashe paint on linen with staples
69 x 48 inches -
Untitled (Cream Tone #5), 2015
Oil, rubber, enamel, and staples on linen and canvas
85 x 54 inches -
Untitled (Cream Tone #10), 2015
Oil and spray enamel on linen with staples
69 x 48 inches -
Untitled (Cream Tone #6), 2015
Flashe paint on linen over wood
69 x 48 x 8 -
Untitled (Cream Tone #6)(side view), 2015
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Untitled (Cream Tone #9),2015
Acrylic, chalk, graphite and collage on linen
69 x 48 inches -
Untitled (Cream Tone #7), 2015
Oil, fabric and spray enamel on linen with staples
69 x 48 inches -
Untitled (Cream Tone #4), 2015
Oil and acrylic on linen
69 x 48 inches -
Untitled (Cream Tone #8), 2015
Oil, spray enamel, collage and staples on linen
69 x 48 inches -
Untitled (Cream Tone #11), 2015
Flashe paint on linen over wood
69 x 48 x 8 inches -
Untitled (Cream Tone #11)(side view0, 2015
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Untitled (Cream Tone #12), 2015
Flashe paint on linen
69 x 48 inches -
Untitled (Cream Tone #3), 2015
Oil on linen with canvas
69 x 48 inches -
Untitled (Cream Tone #2), 2015
Oil, spray enamel, plywood veneer and staples on linen
69 x 48 inches -
Untitled (Cream Tone #1), 2015
Oil, graphite and staples on linen over wood
69 x 48 x 9 inches -
Untitled (Cream Tone #1)(side view), 2015
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Untitled (Cream Tone #13),2015
Flashe paint on canvas with staples and canvas scraps
74 x 48 x 5 inches -
Untitled (Easy, Unrestrained), 2015
Oil and enamel on linen and plastic
23 x 18 inches -
Untitled (Chrome/Cream Relief), 2014
Oil, enamel and staples on wood and masonite
14 1/4 x 9 1/4 inches -
Untitled (Cream/Orange/Kern), 2014
Oil and collage on card stock
13 1/2 x 11 inches -
Untitled (Cream Gap and Black), 2014
Tape and wood on paper
20 1/2 x 14 1/2 inches -
Untitled (of Track and Field), 2014
Oil and graphite on paper
19 1/2 x 16 1/2 inches -
Untitled (PINKUS), 2014
Oil on paper
20 1/2 x 14 1/2 inches -
Untitled (Ruby Repose), 2014
Oil, spray glitter and staples on paper
14 1/2 x 20 1/2 inches -
Untitled (Formal Issues), 2014
Oil, graphite and collage on paper
18 1/2 x 14 1/2 inches -
Untitled (Pink, Cream, Peel, Down), 2014
Oil and collage on card stock
20 1/2 x 14 1/2 inches -
Untitled (Drawings for Four Vertical Graves), 2014
Oil on paper
20 1/2 x 14 1/2 inches -
Untitled Composition (Cream Top, Double Stripe), 2014
Oil on paper
20 1/2 x 14 1/2 inches -
Untitled (Soft/Mute), 2014
Oil on paper
20 1/2 x 14 1/2 inches -
Untitled (Bottom Border Insert), 2014
Oil and ink on paper with collage
69 x 48 x 9 inches
Press Release
Nicelle Beauchene Gallery is pleased to announce an exhibition of new paintings and drawings by Jim Lee. This will be Lee’s fifth New York solo exhibition, his third with the gallery.
Jim Lee and the Cream Tones will incorporate approximately 8 large-scale paintings, the most monumental showing of large works in a gallery exhibition to date, as well as a series of framed drawings and works on paper. This exhibition marks the first time that Lee not only has presented an extensive series of works on paper, a central component of his artistic output, but has installed them in dialogue with his canvases. Dissolving distinctions between sculpture, painting and drawing, Lee allows his works on paper to co-exist in an all-embracing practice with his canvases.
Continuing to draw from the lexicon of art history, Lee’s constructions, both on paper and canvas, are neither appropriated nor directly quoted, but rather reflect and speak to art historical and post-war influences. Fluctuating between linear abstractions and plays on minimalism, Lee’s style challenges the priority traditionally placed on the pictorial surface alone, while toying with notions of painting as object and painting as experimentation. Exposing the framework that lies beneath a canvas, or cobbling materials in a patchwork of addition, Lee investigates and maintains a tenuous, yet playful, dialogue between completion and destruction throughout his practice. His use of relief in both his works on paper and paintings are predicated on an examination as to what a painting and drawing can be - both above and below the surface.
Jim Lee received his MFA from the University of Delaware in 1996. He has shown internationally at Galerie VidalCuglietta, Brussels; Motus Fort, Tokyo; FDC Satellite, Brussels and Galerie Markus Winter, Berlin. Additionally he has been included in exhibitions at Ratio 3, San Francisco; LAND, Los Angeles; Islip Art Museum, NY; Galerie Ruth Leuchter, Dusseldorf; Galerie Lelong, New York; Andrae Kaufmann Gallery, Berlin; IMOCA, Indianapolis; White Flag Projects, St. Louis; Atlanta Contemporary Art Center, Atlanta; Larry Becker Contemporary Art, Philadelphia and the Neuberger Museum of Art in Purchase, NY. Lee lives and works in
Brooklyn, New York.