News
-
Maysha Mohamedi on Artforum
Maysha Mohamedi's exhibition Salt Pepper Prophecy is an Artforum "Critic's Pick" for May 2020.
-
Studies in Quarantine with Ruby Sky Stiler
rava films collaborated with Ruby Sky Stiler to produce this short film exploring the roots of her practice, and how it has been affected by life at home.
-
Now Representing the Estate of John Evans
Nicelle Beauchene is pleased to announce representation of the Estate of John Evans.
-
Elliott Jerome Brown Jr. at Welancora Gallery
Elliott Jerome Brown Jr. is included in the exhibition How Did You Get This?: The Spaces We Inhabit, curated by Damien Davis and Ivy N. Jones, at Welancora Gallery, Brooklyn. The exhibition runs through June 2020.
-
Tunji Adeniyi-Jones in Document Journal
Tunji Adeniyi-Jones in conversation with Bernard Lumpkin on the occasion of the exhibition Young Gifted and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art.
-
Bruce M. Sherman on Observer
Paddy Johnson selects Bruce M. Sherman's exhibition Earth/Heaven Heaven/Earth as one of "The 12 Best Gallery Exhibitions Across the Country Opening in Spring."
-
Tunji Adeniyi-Jones on Artnet News
The Editors at Artnet News selected Tunji Adeniyi-Jones as one of "4 Sensational Painters Who Stole the Show at Independent New York 2020, Where Oil-on-Canvas Is Still the Cutting Edge."
-
Tunji Adeniyi-Jones on Artnet News
Maria Vogel includes Tunji Adeniyi-Jones as one of "7 Rising-Star Artists to Seek Out at Armory Week 2020 in New York."
-
Daniel Rios Rodriguez on Observer
Paddy Johnson discusses Daniel Rios Rodriguez's "All Over" manner of abstraction for Observer in her gallery roundup, "Lower East Side’s Best Art Exhibitions Bring Us Brave New Subgenres of Abstraction."
-
Bruce M. Sherman for OBJECT & THING
Three sculptures by Bruce M. Sherman are included in OBJECT & THING's installation presented at the Independent Art Fair at Spring Studios in Tribeca, March 6 - 8, 2020.
A full preview of the exhibited works is available online, alongside a short text written by Glenn Adamson.